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![]() ![]() In this paper, Red Sorghum, both a novel written by Mo Yan, a Chinese Nobel Laureate, and a namesake film directed by Zhang Yimou, one of the leading Chinese fifth-generation film directors, will be closely analyzed from the perspective of intermedial performativity. Here, “text” is used broadly, not just literary texts, but also texts in other kinds of media forms, such as film and TV. ![]() ![]() Intermedial performativity refers to what happens to the performative power of text when it travels from one medium to another, and what effects the mixing or interactions of different media bring about to the texts involved. ![]()
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